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| marcus speaks | ![]() |
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Do you find song singing different than opera? |
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| I use the same singing and rehearsal techniques for operatic and song repertoire. The music dictates the individual vocal and dramatic requirements. | |||||||||||
Do you have a CD that I can purchase? |
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| Yes! Go to the the store page of this site for purchasing information on my Marcus DeLoach: American Song CD. Also, look for my recordings of Elie Siegmeister’s opera The Lady of the Lake with Gerard Schwartz and the Seattle Symphony and Scott Wheeler's fantastic opera The Construction of Boston on the NAXOS label. | |||||||||||
I’ve heard you sing popular and Broadway songs in concert. Do you SING THIS REPERTOIRE OFTEN? |
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| Yes, I love cross-over work and always look for chances to perform it. Music is music and I enjoy performing every type of it from rock with the Trans-Siberian Orchestra to Mozart at Lincoln Center and Broadway on stage and in concert. | |||||||||||
| Are either of your parents singers? | |||||||||||
Although I’m the only musician in my family, I do have some singing ancestors. My great grandfather on my father’s side of the family was an Italian immigrant and labor leader in the Lawrence, Massachusetts mills. In the 1950’s, Richard Kelly devoted a chapter to him called “Citizen Tortolano” in his book Nine Lives for Labor. Kelly tells how my great grandfather was an opera enthusiast with a “wonderfully warm and robust bass voice” who would sing such repertoire as Verdi’s Il Trovatore at the Italian-American Club in downtown Lawrence. My great grandmother on my mother’s side of the family was also an amateur singer and regularly performed at events in her home town of Carlisle, Massachusetts. |
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| What is your dream operatic role? | |||||||||||
| There are many roles that I'd like to perform. I'm especially interested in singing new works and repertoire in English (classical and Broadway). My current "dream roles" (not in any specific order) are Robert J. Oppenheimer, Giorgio Germont, Dr. Malatesta, Don Giovanni, basically anything Broadway (in the Robert Weede/John Raitt tradition), and the “seven-fold” role in Death in Venice. | |||||||||||
| People say that you are a great interpreter of songs in English. Why do you think you have an affinity for that repertoire? | |||||||||||
| This is a curious question. I don’t think anyone would ever ask Dietrich Fischer-Dieskau why he's so fond of the German Lied or why Gerard Souzay has a sympathy for the French mélodie. Yet in America, people find it strange (even bourgeois!) when you are comfortable singing songs in your own language. I think that classically trained singers often underestimate the importance of singing in English. The American repertoire of song is quite substantial, and if you want to know where the current “hot bed” of song composition in the world is, you need only look in our own back yard. I’m proud to take an active role in performing and promoting this wonderful repertoire. | |||||||||||
| Who were your voice teachers? | |||||||||||
| I've had the privilege to study with four wonderful voice teachers. I began my formal vocal training with Edward Zambara at New England Conservatory and, after he left New York, studied with Ruth Falcon and Fred Carama. Falcon and Zamabara were great singers themselves who hailed from amazing vocal lineages. Zambara studied with the teacher of Eleanor Steber, William Whitney, whose father studied with the great baritone David Bispham. Ruth Falcon studied with many great singers such as Zinka Milanov, George London, Regine Crespin and Marinka Gurewich. I now study with Dr. Stephen King. | |||||||||||
| Where do you teach? Do you present master-classes? | |||||||||||
| I currently teach private voice in Houston, TX (where I am pursuing my DMA at Rice University's Shepherd School of Music). I teach and coach both classical and Broadway singers of varied levels of experience. For those interested in lessons, master-classes, or concert packages please send your inquiries to mdeloach@marcusdeloach.com. | |||||||||||
| Links to FRIENDS AND other Marcus interviews | |||||||||||
american opera projects (AOP) |
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| Marcus’ Article on American Song for the Journal of the RVW Society | |||||||||||
| No. 33 June 2005 | |||||||||||
| Marcus DeLoach: American Song Press Release | |||||||||||
| June LeBell interviews Marcus on CD: American Song | |||||||||||
| Exculsive interview on MarcusDeLoach.com 9/20/04 | |||||||||||
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