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“A standout performance was given by Marcus DeLoach (Nilikantha), who heightened the drama with the heft of his rich voice and with his tonal shadings.” |
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"Marcus DeLoach sang the role of Nilakantha, Lakme's piously vengeful father, with a rich, ringing tone that gave his character gravitas; this was no cartoonish villain, by any stretch. " |
"US baritone Marcus DeLoach's De Rocher [is] powerfully convincing ... [This] richly voiced singer conveys the polarised emotional tension of his situation." |
"US Baritone Marcus DeLoach subtly depicted the raging inner turmoil of convicted rapist/ murderer Joseph de Rocher. " |
"Sister Helen forms a relationship with the doomed prisoner (a terrific Marcus DeLoach) that eventually leands to his redemption. " |
"Marcus DeLoach conveys a resentful anger as the condemned man, Joseph De Rocher. " |
"Another debutant, Marcus DeLoach, revealed a fine resonant baritone and superb joi de vivre as Schaunard, the musician." |
| “Ashraf Sewailam and Marcus DeLoach made favorable impressions as Colline and Schaunard, respectively ” |
| "...Marcus DeLoach made his own contribution as Schaunard in his few short minutes in the spotlight." |
| “...Marcus DeLoach sang ardently in several smaller roles... The Procession, led by Anker and DeLoach, was spot-on; chorus and soloists didn't pretend the nonsensical Gertrude Stein text was code for something else, but treated the words as meaningful in their own right. In Thomson's hands, they are. ” |
| The Boston globe / Matthew Guerrieri / 3 April 2007 |
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| “Baritone Marcus DeLoach sang Lee Hoiby's
song "The Darkling Thrush" with beautiful richness...” |
| www.theaterscene.net / Tuomas Hil / 10 March
2006 |
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| “The poet was inspired to write her work,
in part, by Thomas Hardy's poem "The Darkling Thrush." Mr. Weisman
was similarly inspired by Lee Hoiby's song setting of that Hardy poem. A
performance of that song, powerfully sung by Marcus DeLoach, appropriately
concludes this ambitious production.” |
| New York Times / Anthony Tommasini / 2 March
2006 |
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| “Baritone Marcus DeLoach
is perfect as the ballad singer responsible for the only narrative force
in "Bunyan".” |
| Dialy Camera / Wes Blomster / 18
July 2005 |
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| “...Marcus DeLoach's Papageno almost
stole the show. Ideal timing with his numerous comic lines and talented
stage acting combined effectively. His physical slapstick scenes all induced
broad laughter.” |
| Kalamazoo Gazette / C. J. Glanakaris / 2 May
2005 |
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| “...baritone Marcus DeLoach sings with
memorable beauty as Harlekin.” |
| Des Moines Register / Robert C. Fuller / June
2004 |
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| “Marcus DeLoach sang gorgeously and acted
affectingly as Schaunard” |
| The Dallas Morning News / Scott Cantrell /
20 May 2001 |
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| “Marcus DeLoach, a perhaps
more seasoned baritone, was terrific in an otherwise under-voiced ensemble
from Mozart's ``Cosi fan tutte'' and truly funny opposite Kirk Eichelberger
in Donizetti's famous ``Cheti, cheti, immantinente'' from ``Don Pasquale.''
DeLoach is quite a gift to this repertory.” |
| San Francisco Chronicle / Octavio
Roca / 22 August 2000 |
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| “Marcus DeLoach’s Falke
was a commanding presence.” |
| San Francisco Chronicle / Joshua
Kosman / 14 August 2000 |
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| “Marcus DeLoach’s Count
Almaviva is suitably pompous and embellished with a warm, assured voice.” |
| Time Out -The Star / Rita Moran
/ 4 February 2000 |
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| “Marcus DeLoach, the son,
sang with a rich, dark baritone and had a likable presence.” |
| The St. Louis Post-Dispatch / Sarah
Bryan Miller / June 20, 1999 |
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| “Marcus DeLoach displayed
a mature instrument with little of the thinness, uncertainty or all-too-obvious
labor characterizing some youthful efforts and he showed himself as proficient
at slapstick comedy as in delivering his baritone part.” |
| The Tennessean / Alan Bostick /February 27,
1999 |
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